简介：该剧讲述了:二奶奶出面化解后，同☝样质问程凤台✘✘是不是真的在帮日本人走☀货，而程凤台则希☒☆望二奶奶能够相信他♦✗的为人。悲痛欲绝失웃✒去理智、或者也是为帮痛苦✡的妻子解脱的他，★开枪打中妻子的腹部导致妻子死亡，并放✌✒火烧掉了自己的房子❄，自己也精神失✕常，变成了一✘个患有精神分裂症和极度错☒觉症的精神病患。Sc✔유orsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.详情